My practice is built around an investigation of the infra-thin — the zone where differences have not yet taken shape, but have already begun to influence perception. This is a space of instability, in which familiar linearity breaks down and experience becomes fragmented and elusive.
I am interested in barely perceptible transitions between movement and stillness, the visible and the sensed, the external world and internal state — at those points where sensory experience loses its footing and begins to oscillate.
For me, what matters is not only the images themselves, but how they exist in space: how light, rhythm, pause, and materiality intervene in them, lending their own voice. Working with photography, video, text, and installation not as separate media, but as a system, allows me to create environments in which the viewer is compelled to reconstruct their own vision.
Photography captures a moment that has already lost its stability; video stretches it, exposing inner oscillations; text intervenes, shifting interpretation; and installation holds these elements together in a shared space. Within it, the media do not complement one another: the experience arises in the gap between them, in the moment when the viewer attempts to reconcile mismatched signals before meaning emerges — and beyond any possibility of controlling it.
The viewer’s attention, their movement, and their inner response become part of this system, a condition of its existence.
The result is a space in which stability turns out to be only a brief moment within a process of continuous oscillation — yet it is precisely this that gives the experience its depth.
